Blood In The Water by Silver Donald Cameron

 DEADLINE

‘Trailer Park Boys’ Co-Creator Barrie Dunn Options True-Crime Story ‘Blood In The Water’ Via Pictou Twist Pics

EXCLUSIVE: Blood in the Water, the true story of the murder at sea of Philip Boudreau, is set to be adapted for screen after Pictou Twist Pictures, the company founded by Trailer Park Boys co-creator Barrie Dunn optioned the rights.

Pictou Twist Pictures and Ion Inc. acquired the film and television rights to the book, which was written by late Canadian author Silver Donald Cameron.

Blood in the Water tells the story of the 2013 murder of Philip Boudreau, a notorious outlaw – equally loved and hated – who was killed while vandalizing the lobster traps of three Cape Breton fishermen.

The book was billed as a “must-read” by Margaret Atwood, author of The Handmaid’s Tale.

Dunn is the co-creator, writer and producer of Canadian mockumentary series The Trailer Park Boys, which ran for over 100 episodes and spawned a number of feature films. He founded Pictou Twist Pictures with Patrick Graham to focus on political dramas and thrillers, stories of individual and collective struggle, and irreverent comedies. The pair had previously worked together on feature film Afghan Luke starring Nick Stahl.

The acquisition deal for Blood in the Water was brokered by Hotchkiss Daily and Associates on behalf of the Bukowski Agency and by Sean Barclay of the Gersh Agency on behalf of Pictou Twist Pictures.

“We are delighted to have negotiated a deal with Barrie Dunn and Patrick Graham for the film and TV rights to Blood In The Water,” said Denise Bukowski, Silver Donald’s literary agent. “It is not merely a story of murder for lobster as was portrayed in the media. It’s much more complex than that. Philip Boudreau’s murder was gut-wrenching and you feel incredible sympathy for him. Yet it’s also hard not to empathize with the lobster fishers who killed him.”

“It is a dark, compelling story, but not without its humour,” added Dunn. “Philip Boudreau was a rogue and a rascal, a character not unlike the type we often met and saw portrayed sympathetically in Trailer Park Boys”.

“The story is timeless, almost mythical,” said Graham. “Like Benjamin Britten’s opera Peter Grimes, Blood In The Water is really about how a tight knit community deals with an outlaw when the authorities are unwilling or unable to do so.”

Locke and Key and Sweet Magnolias among the 10 Most-Watched Netflix Original And Limited Series Of 2020

FORBES

Here Are The 10 Most-Watched Netflix Original And Limited Series Of 2020

The saving grace for many during the pandemic-fueled year we have just endured has been the escapism of streaming television series, movies and documentaries. In 2020, lingo such as social distancing, lockdowns and quarantine became daily topics of conversation and our new normal. This was good business for streaming sites like Netflix NFLX +1.2% and Hulu as subscribers just couldn’t get enough.

In fact, our schedules were so out of whack that in May it was reported that Monday was the new weekend as quarantined households binged more and more content. Per Comcast CMCSA -1.6% at the time, this was causing noticeable shifts and new behaviors in television viewing patterns with millions of Americans watching more than an extra workday’s worth of content per week (eight additional hours of content per week than in early March) with streaming/web video up 35%. For the average household, this equated to 66 hours of binge-watching per week and this was without live sports. The consumption of news programming also increased by 64%.

As we near the finish line of this incredibly challenging year, we’re facing even more stringent lockdown measures, leading consumers to continue streaming content. TV Time, which has 15 million registered app users worldwide, surveyed those based in the U.S. to see which new Netflix original series and limited series were binge-watched the most.

Of course, returning hits such as The Crown and Dead to Me were watched en masse by ardent fans but for the sake of this list, viewers were specifically asked about series that were new to the streamer in 2020 and this included first seasons, as well as series meant to be limited. And recently premiered series like Selena, for example, are being binged in high numbers but are too new to make this year’s list.

Here are the 10 most-watched new Netflix originals and each show’s specific genre:

1. Tiger King: Murder, Mayhem and Madness (Reality)

2. Locke & Key (Drama)

3. Space Force (Comedy)

4. Outer Banks (Drama)

5. Love Is Blind (Reality)

6. The Queen's Gambit (Drama)

7. Never Have I Ever (Dramedy)

8. Ratched (Drama)

9. The Circle (Reality)

10. Sweet Magnolias (Romance)

According to the team at TV Time, the five top genres can be broken down as follows: Reality (32%), Documentary (29%), Comedy (18%), Drama (13%) and Crime (12%). Of note, since many shows can easily fit into more than one genre, the percentages exceed 100%.

Per Senior Media Analyst at Comscore SCOR +3.5%, Paul Dergarabedian, the increase in digital consumption during this time should come as no surprise and though physically isolated, people yearn to be a part of what everyone is talking about online. “Great content drives the social conversation and as the binge-watching of great shows is a natural byproduct of the pandemic-challenged marketplace, so too is the desire to become part of the virtual conversation surrounding a show like The Queen's Gambit, and this has helped to form a sense of community built around a common interest even as most humans are isolated and sequestered at home.”

Though stream times for original programs were up, the industry still faced its share of challenges, which continued into the third quarter of this year with a decline in household viewership. “There was a limit to original content during the pandemic because of production being impacted by Covid-19,” says Chief Product Officer and Co-Founder of TV data and measurement company Alphonso, Raghu Kodige. He’s speaking specifically of trends for OTT originals. “In October we saw an uptick in viewership and viewers after a long time due to the return of original programming. This indicates a brighter time for new originals on streaming platforms.”

It will be fascinating to see how the pandemic impacts the production of new content, as well as viewing patterns for consumers as we enter the new year. In trying times people long for the escape of great entertainment and the connection of sharing the shows and movies they’re watching with like-minded fans.

Cyberstorm by Matthew Mather

 

 DEADLINE

Netflix Lands Spec ‘Wraith’ With Sebastian Hofmann Directing And Matt Lopez Writing

EXCLUSIVE: Netflix has acquired the rights to the Matt Lopez spec script Wraith with Sebastian Hofmann attached to direct and Lopez on board to write. The spec is based on the bestselling novel Cyberstorm with Emile Gladstone on board to produce.

Based on the self-published novel by Matthew Mather, the novel follows resident of New York City, who is trying to keep his family together when he is thrust into new problems of staying alive. Unknown how similar in story Lopez’s spec will be.

The book sold over one million copies and spent more than 2 years in the top 100 ebooks on Amazon. It has been translated into over twenty-four foreign language.

Hofmann a Mexican filmmaker whose second film, Time Share, premiered at last year’s Sundance Film Festival where it won Best Screenplay in the World Dramatic Competition. Netflix would acquire the film soon after its premiere and it went on to be nominated for six Ariel Awards (Mexico’s Academy Awards). Hoffman currently has a first look deal for Spanish language TV with Exile/Endeavor Content and is also the co-founder of a production company called PIANO which will release Annette starring Adam Driver, Memoria starring Tilda Swinton and Abel Ferrara’s Siberia Willem Dafoe.

Lopez was recently tapped to pen a new retelling of the Father of The Bride series from the perspective of a Latinx family. His other credits include writing on such features as Bedtime Stories, The Sorcerer’s Apprentice and Race to Witch Mountain.

Mather’s books have sold millions of copies, been translated and published in over twenty countries across the globe, and optioned for multiple movie and television contracts. He began his career as a researcher at the McGill Center for Intelligent Machines before starting and working in high-tech ventures ranging from video games to nanotechnology and cyber security. He now works as a full-time author of speculative and science fiction thrillers.

Gladstone most recently produced The Conjuring spin-off The Curse of La LLorona.

Lopez is repped by Lit Entertainment Group and attorney Melissa Rogal. Hofmann is repped by WME, Jeremy Platt at Grandview and Marios Rush is his attorney. Mather is repped by Sean Daily at Hotchkiss Daily & Associates.

The Sting by Flinder Boyd

 

DEADLINE

Skydance, Berlanti Prods Win Movie Rights To The Sting, ’80s Teen Texas Women’s Team That Went To China To Slay Giants In First World Championship Tourney

EXCLUSIVE: Skydance and Berlanti Productions won a movie auction and acquired an unpublished article by Flinder Boyd about The Sting. It has all the makings of a Rocky-esque story set in the world of women’s soccer, long before the U.S. team came to Olympic and World Cup dominance.

Never heard of them? They have been largely forgotten. In 1984 President Reagan made a concerted effort to open relations with China.  China in turn invited America to send its U.S. Women’s Soccer Team to the first world championship they were holding for women’s soccer. There was only one problem – there was no U.S. Women’s Soccer Team. A nation-wide search led officials to a 19-and-under league of Dallas high school girls who called themselves The Sting, after the recent Robert Redford-Paul Newman hit movie. Led by coach Bill Kinder — who had no prior experience coaching soccer before he formed the team — the story of how this passionate group of young women got to China was miraculous. And what they did against the world’s top women’s teams from China, Australia and Italy — comprised of grown women who played together for years — was nothing short of a miracle.

Boyd, a former basketball player turned sports writer, had his reps at Hotchkiss Daily & Associates circulate the 17-page article before he placed it with one of the many magazines he writes for. They will now find an outlet to publish the story and filmmakers are already being courted to tell an exceptional female sport empowerment tale.

Skydance’s Don Granger and Dana Goldberg, and Berlanti Productions’ Greg Berlanti, Sarah Schechter and Robbie Rogers, ran the ball on this one and acquired the material in a package that includes life rights to Sting coach Bill Kinder. In order to form the team nearly 40 years ago, Kinder had to get a note from a gynecologist asserting that playing soccer would not harm a woman’s reproductive organs. Texas parents who envisioned their daughters waving pom poms at halftime soon became the cheerleaders for this eclectic mix of girls who were drilled to precision by a Lombardi-like coach, and became a local powerhouse. They then overcame bureaucracy to be chosen to make the trip, and rose to the occasion despite being underdogs against dominant international teams in China. All this led by a coach who so believed in The Sting that he charged $85,000 on his credit cards for non-refundable tickets to ensure the team got to China where many expected they would lose badly. Cue the Rocky theme music.

“The story shows how women have been and still are treated poorly around the world in sports compared to their male counterparts,” Schechter said. “To see what The Sting did with little support and no money, intertwined with how these very different young girls meshed for the love of the sport and country, is something beautiful that deserves not to be lost to history,” Schechter said. “We flipped for it.”

Rogers, who is Berlanti’s husband, played wing and left back both for the US Men’s Team national team and was a solid player in the pro circuit in Europe. While the disparity between funding for the less successful men’s teams in America versus the dominant women’s teams has long been a point of contention, Rogers knows much about the alienation faced by The Sting players when many in Texas objected to girls even playing soccer. When he retired from European soccer, Rogers became the second pro soccer player to come out as gay, long after Justin Fashanu had become the first, at a time Rogers hid his sexuality for fear it would ruin his career.

“I was playing in England and there was this BBC article about Justin Fashanu,” Rogers recalled. “I was closeted and listened as my teammates talked about how disgusting it was, how gay players should take showers with women. It was a time when you heard a lot of racist, sexist and homophobic things. When I made the decision to free myself, most of those same people I’d heard homophobic things from were so supportive. They called and apologized if they’d offended me, said that it wasn’t what was really in their hearts. I grew up in that environment, and there is a long history of telling our daughters, and women, here is how you have to behave, and that you have to be softer. Perpetuating these stereotypes is ridiculous, as is this pressure we place on women and men instead of allowing them to be just who they are. That’s why I responded so strongly to The Sting.”

Hotchkiss, Daily & Associates made the deal without a co-agent.

I Know What You Did Last Summer by Lois Duncan

DEADLINE

‘I Know What You Did Last Summer’: Amazon Orders YA Horror Series Based On Movie

Amazon Studios has given a series greenlight to YA horror series I Know What You Did Last Summer, a modern take on the hit 1997 slasher film. The project hails from Sony Pictures Television and studio-based Original Film.

Written by Sara Goodman (Preacher) based on the 1973 novel by Lois Duncan, the I Know What You Did Last Summer series has the same premise as the movie adaptation – in a town full of secrets, a group of teenagers are stalked by a mysterious killer a year after a fatal accident on their graduation night.

“The best horror franchises always have another scare coming, and this I Know What You Did Last Summer series from Sara Goodman is a perfectly twisted update to the iconic slasher movie,” said Albert Cheng, COO and CO-Head of Television, Amazon Studios. “Any way you slice it, our global Prime Video customers will love this modern take on the fan favorite film.”

I Know What You Did Last Summer, produced by Amazon Studios and Sony Pictures TV, had been in development for a couple of years. Original Film’s Neal H. Moritz, who produced the 1997 movie for Columbia Pictures, has been the main driver behind the project, which went through multiple incarnations. Last year, James Wan and his Atomic Monster boarded the series.

Goodman executive produces alongside Shay Hatten, who was previously attached as a writer, Original Film’s Moritz and Pavun Shetty and Atomic Monster’s Wan, Rob Hackett and Michael Clear. Erik Feig, who produced the 1997 feature with Moritz, also is an executive producer.

“We are thrilled to have I Know What You Did Last Summer with our incredible partners at Amazon Studios,” said Jason Clodfelter, Co-President, Sony Pictures TV Studios. “Neal Moritz and Original Film’s development consistently fires on all cylinders and that is proven once again with Sara Goodman’s contemporary and pulsating character weaving suspense thriller.

At Amazon, Original Film and Sony Pictures TV, where the company is under an overall deal, also have the hugely popular series The Boys. Additionally, Original Film is behind the Sony TV drama series for CBS S.W.A.T.

I Know What You Did Last Summer extends Goodman’s relationship with Original Film and Sony TV after most recently serving as executive producer on their AMC series Preacher.

The 1997 movie was written by Kevin Williamson and directed by Jim Gillespie. It starred Jennifer Love Hewitt, Sarah Michelle Gellar, Ryan Phillippe, and Freddie Prinze Jr.

False Assurances by Christopher Rosow

Hollywood Reporter

Spyglass Picks Up Thriller Novel 'False Assurances' From First-Time Author (Exclusive)

Christopher Rosow's book was published in May and became a No. 1 Amazon Kindle bestseller.

Spyglass Media has optioned the rights to False Assurances, the debut novel by Christopher Rosow.

The novel is actually part of a two-book debut from Rosow and the book has taken off from the get-go. Since publication in May, False Assurances has become a No. 1 Amazon Kindle best seller; a No. 1 Apple books best seller and a No. 1 Wall Street Journal fiction e-book. A third book is in the works.

The first book has political hook, with a plot involving the President and terrorists. The story is set in motion when the FBI Boston field office gets a hoax call, with man claiming his sailboat was hijacked and used to smuggle weapons and terrorists into the United States. Despite the far-fetched nature of the claims, a presidential visit to Boston that night requites an investigation, and the FBI dispatches admin staffer Ben Porter, a laid-back millennial and the opposite of Jack Ryan in almost every way, to the scene. Rosow is an avid and competitive sailor and was inspired to write the story while on a race in the Atlantic.

“Christopher has written a gripping suspense thriller with fast-paced storytelling and dynamic characters,” said Spyglaas’ president of production, Peter Oillataguerre. “Ben Porter is a whole new brand of ‘hero’ that will take audiences on a captivating ride.”

Oillataguerre and Chris Stone, vp of production and development, will oversee the project on behalf of Spyglass.

The pickup shows that Spyglass has more on its mind than just mining its library, which, as a partnership between Gary Barber and Lantern Entertainment, includes many titles that were made by Miramax. So far, it is those titles that have grabbed the most limelight as the company develops its slate, which includes the reboots of horror franchises Scream and Hellraiser.

Rosow was repped in the deal by Hotchkiss Daily & Associates.

Son of a Trickster by Eden Robinson

Quill and Quire

Film adaptations of Indigenous bestsellers The Inconvenient Indian, the Trickster series to premiere at TIFF

Film adaptations of two Canadian Indigenous bestsellers will premiere at the Toronto International Film Festival. Michelle Latimer directs Inconvenient Indian, a documentary based on Thomas King’s 2012 work about the colonization of Indigenous people in Canada.

Latimer also directed Trickster, a CBC series based on Eden Robinson’s Trickster trilogy. Ninety minutes of the series will premiere at TIFF before it begins airing on CBC later this fall. Season two of the series is already in production.

The Forbidden Game by LJ Smith

DEADLINE

Greg Berlanti Productions To Adapt ‘The Forbidden Game’ Novels By ‘TVD’ Author LJ Smith As TV Series

EXCLUSIVE: Warner Bros. Television has acquired the rights to The Forbidden Game trilogy of horror YA novels by LJ Smith for Greg Berlanti’s studio-based Berlanti Productions to adapt as TV series. Smith is the author of The Vampire Diaries novels, which were turned by WBTV into a hit TV series that aired for eight seasons on the CW.

WBTV/Berlanti Productions landed the rights to The Forbidden Game in a competitive situation. The series adaptation will be executive produced by Berlanti Productions’ Berlanti, Sarah Schechter and David Madden. Search is underway for a writer.

The Forbidden Game is a teen horror trilogy of novels in which a girl named Jenny and six friends enter a Jumanji-like game that drops them into different shadow worlds to fight off their worst nightmares, or die and have their souls forever imprisoned. The stakes are set by Julian, an enigmatic blue-eyed boy who moves freely between worlds. Jenny is determined to save herself and her friends, but when she starts to fall in love with Julian her loyalties are tested beyond anything she has ever experienced.

The Forbidden Game trilogy, published in 1994, consists of the books The Hunter, The Chase and The Kill.

WBTV adaptations of two other book series by Smith have gone on the air, The Vampire Diaries and The Secret Circle, which aired on the CW for one season.

The deal for the author was made on behalf of The Bent Agency by Hotchkiss Daily & Associates.

Throttle by Joe Hill and Stephen King

HBO Max, ‘Antlers’ Producer Developing Feature Based On Stephen King and Joe Hill’s ‘Throttle’ Novella

EXCLUSIVE: HBO Max is in the early development stage of a feature adaptation for the Throttle novella, which was co-written by Stephen King and his son Joe Hill, who is the NYT bestselling author of The Fireman and Strange Weather. Leigh Dana Jackson, a co-executive producer on the Netflix series Raising Dion, will write the screenplay, which will be produced by David S. Goyer and Keith Levine through their Phantom Four label.

Throttle follows a father and son led biker gang who get terrorized by a big rig truck on an isolated stretch of the American desert. The short story was first published in 2009 in an anthology titled He Is Legend and was followed by a 2012 comic book adaptation from IDW Publishing.

Hill’s second novel, Horns, was made into a feature film starring Daniel Radcliffe, and his third one, NOS4A2, was adapted into a TV series on AMC with the 2nd season coming in June. In addition, a TV version of his bestselling comic series Locke & Key, is currently on Netflix and was renewed for season 2. Hill is repped by Hotchkiss Daily & Associates.

Phantom Four is the production company behind the upcoming Keri Russell horror pic, Antlers (along with Guillermo Del Toro) as well as Sundance film The Night House. Both films will be released by Searchlight Pictures. They also have in their canon The Tomorrow War starring Chris Pratt at Paramount and Skydance, a Hellraiser reboot set at Spyglass, the action/thriller Rogue at STX, an Omen prequel at 20th Century Studios. Goyer, who serves as the showrunner the Apple/Skydance series, Foundation for Apple/Skydance, is repped by John LaViolette.

Jackson is currently adapting and executive producing The Spook Who Sat By The Door series for FX/Fox 21, with Lee Daniels and Marc Velez producing and Gerard McMurray attached to direct. He is repped by The Gotham Group and Michael Schenkman.

King has published over 50 books, many of which have been adapted for the screen, and is revered as one of the world’s most successful writers. He is repped by Paradigm.

Mickey7 by Edward Ashton

DEADLINE

Warner Bros, Plan B Acquire Upcoming Edward Ashton Sci-Fi Novel ‘Mickey7’

EXCLUSIVE: In an early buy for recently arrived producer Plan B Entertainment, Warner Bros has acquired Mickey7, a science fiction novel by Edward Ashton that will be published in 2021. Run by Brad Pitt, Dede Gardner and Jeremy Kleiner, Plan B will produce.

UK rights to the book have been acquired by Solaris, and the U.S. rights are in play right now. Novel was pitched around Hollywood as The Martian meets Children of Time. The title character is an “expendable,” a person on missions who is sent on the most dangerous, even suicidal jobs. When an expendable dies, a new body is regenerated with most of the memories intact. Essentially, Mickey7 is the seventh iteration of an expendable who is undergoing an existential identity crisis while trying to keep his successor’s regeneration a secret and negotiating with the planet’s native species on a dangerous trip to colonize a new ice world.

On the publishing side, Michael Rowley at Solaris acquired the book at auction. The movie deal was brokered by Hotchkiss Daily & Associates on behalf of Paul Lucas at Janklow & Nesbit.

Plan B, the tastemaker producer behind Oscar winners Moonlight, 12 Years a Slave and The Big Short, and blockbusters like World War Z, recently moved to Warner Bros after a first-look film deal with Annapurna went by the wayside.

The Madonnas of Echo Park by Brando Skyhorse

Deadline

‘The Madonnas Of Echo Park’ Drama From Julia Cho, Kelly Marcel & Aaron Kaplan Set At Starz With Penalty

EXCLUSIVE: Starz has put in development a drama series based on the 2011 novel The Madonnas Of Echo Park by Brando Skyhorse, from award-winning playwright Julia Cho, feature writer Kelly Marcel (Venom), producer Aaron Kaplan (The Chi, The Neighborhood, A Million Little Things) and his Kapital Entertainment.

The project was bought by the Lionsgate-owned premium network with a significant penalty, part of its focus on content for diverse female audiences. It will be produced by Kapital and Lionsgate Television.

Written by Cho, The Madonnas Of Echo Park is a multigenerational drama set in Los Angeles that takes us across borders and into decades past as it follows one young woman’s search for her undocumented father.

“I wrote Madonnas of Echo Park to try and make visible the hopes and ambitions of those who often aren’t seen or heard, the ‘invisible hands; whose labor make the dream of Los Angeles possible,” Skyhorse said. “I’m humbled that two extraordinary artists, Kelly Marcel and Julia Cho, saw something special in the book. I’m grateful to Starz for giving Madonnas a home.”

Cho, Marcel, Skyhorse and Kapital’s Kaplan and Dana Honor executive produce. The project, with the same creative team, was originally set up at HBO in 2012. It reunites Kaplan and Marcel whose first collaboration, Fox drama series Terra Nova, marked Marcel’s first produced script and Kaplan’s first series as a producer.

Marcel went on to a feature career with Saving Mr. Banks, Fifty Shades of Grey, the Venom franchise, Cruiella and Baz Luhrmann’s upcoming Elvis Presley movie.

At Starz, Kapital has a pilot order for Shining Vale, a horror comedy from Sharon Horgan and Jeff Astrof, which stars Courteney Cox. Like many other pilots, its production has been suspended due to the coronavirus crisis, and the project is writing a second script during the shutdown.

Earlier this week, Kapital’s Women of the Movement (working title) opened a virtual writers room. The ABC anthology series chronicles the civil rights movement as told by the women behind it.

Cho was recently awarded the Windham-Campbell Literature Prize. Her TV series credits include Big Love, Fringe and Halt and Catch Fire. She is repped by attorney Tara Kole. The TV rights deal for the book was made on behalf of Writers House by Hotchkiss Daily & Associates.

Home Before Dark by Riley Sager

 

DEADLINE

Sony & 21 Laps Win Riley Sager Thriller Novel ‘Home Before Dark’

EXCLUSIVE: Sony Pictures won a competitive auction for Home Before Dark, a thriller novel by bestselling author Riley Sager, with Shawn Levy’s 21 Laps attached to produce. Book will be published June 30 by Dutton.

A woman returns to the house made famous by her father’s bestselling horror memoir and the issue becomes, is it really haunted as her father claimed? Some 25 years earlier, the young woman moved with her parents into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors that described ghostly encounters with spirits that rivaled The Amityville Horror in popularity—and skepticism.

The woman restores old homes and was too young to remember what her father described in a book that made him rich. She inherits the property and counts herself a skeptic when she returns to renovate the home. She is confronted from many who belong to the home’s past. To the point she begins to think maybe he wasn’t making it up.

Maia Eyre is shepherding for Sony, Emily Morris for 21 Laps. Deal was done by Hotchkiss Daily & Associates on behalf of Michelle Brower at Aevitas Creative Management.

All Things Possible by Kurt Warner with Michael Silver

DEADLINE

Erwin Brothers To Direct Kurt Warner Biopic, ‘Friday Night Lights’ Scribe David Aaron Cohen To Write

Super Bowl MVP and football Hall of Famer Kurt Warner is about to get the biopic treatment. Jon Erwin and Andrew Erwin’s Kingdom Story Company (the forthcoming I Still Believe) closed a deal for American Underdog: The Kurt Warner Story, which will chronicle the true story of the football legend, who went from stocking shelves at a supermarket to become a two time NFL MVP, Super Bowl MVP and Hall of Fame quarterback.

The Erwin Brothers will direct and write with Friday Night Lights scribe David Aaron Cohen. The brothers will also produce via their Kingdom banner alongside partner Kevin Downes. The film has been fast-tracked for production and will be distributed wide by Lionsgate on December 18. The screenplay will be based upon interviews with Warner as well as Warner’s memoir, All Things Possible: My Story Of Faith, Football and the First Miracle Season. They are currently casting now including for actors who will portray Kurt Warner and Brenda Warner, who are set to co-produce.

This adds to Kingdom Story Company and Lionsgate partnership in providing faith-based, event-level entertainment. American Underdog: The Kurt Warner Story marks the third film to be greenlit by Lionsgate in the last 12 months. Kingdom Story Company’s other biopic I Still Believe is set to debut on March 13. The feature follows the life of Christian music star Jeremy Camp.

The deal for the Warner family was made by Priority Sports and Hotchkiss Daily & Associates.

On Her Own Ground by A’Lelia Bundles

DEADLINE

Netflix Sets Premiere Date For ‘Self Made: Inspired By The Life Of Madam C.J. Walker’, Unveils First Look At Octavia Spencer Limited Series

Netflix has unveiled the official title and premiere date for their previously announced C.J. Walker project starring Octavia Spencer. The four-part limited series Self Made: Inspired by the Life of Madam C.J. Walker will debut on the streaming platform March 20. Netflix also released the first look at Spencer as the iconic figure in history.

In the series, Oscar-winning actress Spencer stars as Sarah Breedlove, known as Madam C.J. Walker, the black hair care pioneer and mogul who overcame hostile turn-of-the-century America, epic rivalries, tumultuous marriages and family challenges to become America’s first black, female self-made millionaire.

The series is inspired by the book, On Her Own Ground: The Life and Times of Madam C. J. Walker by Walker’s great-great-granddaughter A’Lelia Bundles. Walker overcame post-slavery racial and gender biases, personal betrayals, and business rivalries to build a ground-breaking brand that revolutionized black haircare, as she simultaneously fought for social change.

Self Made also stars Blair Underwood as her husband C.J. Walker, Tiffany Haddish as her daughter Lelia, Carmen Ejogo as Walker’s business rival Addie Munroe, Garrett Morris as Walker’s father-in-law, Kevin Carroll as her longtime lawyer Freeman Ransom and Bill Bellamy as Ransom’s cousin Sweetness.

The limited series is produced by SpringHill Entertainment and Wonder Street in association with Warner Bros. Television is helmed by co-showrunners Elle Johnson & Janine Sherman Barrois, along with writer and co-executive producer Nicole Jefferson Asher, directed by Kasi Lemmons and DeMane Davis, and executive produced by Janine Sherman Barrois, Elle Johnson, Maverick Carter, LeBron James, Octavia Spencer, Mark Holder, Christine Holder, Kasi Lemmons, and Jamal Henderson.

House of Salt and Sorrows by Erin A. Craig

DEADLINE

By Andreas Wiseman

‘Scary Stories To Tell In The Dark’ Producer 1212 Plans TV Series For NYT YA Bestseller ‘House Of Salt And Sorrows’

EXCLUSIVE: LA-based production outfit 1212 Entertainment (Scary Stories To Tell in the Dark) has acquired screen rights to the New York Times YA bestseller House Of Salt And Sorrows and plans to adapt the novel into a TV series. Joshua Long and Roberto Grande will develop and produce.

The debut novel by Erin A. Craig is a gothic twist on the classic Grimm fairytale The Twelve Dancing Princesses filled out into a fantastical YA horror and romance. The story follows a royal family of 12 sisters who are transported every night into an enchanted world of the gods filled with lavish costume balls and endless celebrations. When another of their kin dies mysteriously, the remaining sisters must band together and unravel the ancient curse on their family while defying their powerful father and cunning step-mother by continuing to explore the increasingly perilous playground of the gods for answers.

“With all the trappings of ghosts and gods, portals to other worlds, costume balls and budding romance, House Of Salt And Sorrows delivers a constellation of narrative possibilities that we’re excited to bring to life,” Long said.

1212 plans to find a writer then set the series at a network or streamer. The firm is currently adapting Japanese samurai manga Lone Wolf & Cub for Paramount. Long recently wrote and produced the Netflix Original series 1983 with Kennedy/Marshall.

Craig’s deal was done by Hotchkiss Daily & Associates on behalf of Sarah Landis at Sterling Lord Literistic. 1212 Entertainment is represented by Gersh.

House of Night by P. C. Cast and Kristin Cast

DEADLINE

‘House Of Night’: ‘ShadowHunters’ Producers Adapting YA Vampire Saga For TV

EXCLUSIVE: ShadowHunters producers Don Carmody and David Cormican will adapt the New York Times No. 1 bestselling House of Night series, the YA vampire saga written by the mother-daughter tandem of P. C. Cast and Kristin Cast, for television. Carmody and Cormican board the project with Davis Films, according to Victor Hadida, Davis Films’ president.

Hadidia said Oscar-winning producer Carmody (Chicago) and International Emmy-nominated producer Cormican (Tokyo Trial) are the ideal team to adapt the fang saga into a live-action TV series through their Don Carmody Televison, the 6-year-old shingle that most recently delivered Northern Rescue for Netflix.

Carmody has considerable history with Davis, having produced both Silent Hill films, a few Resident Evil installments and most recently Lucky Day by writer-director Roger Avary.

“My late brother Samuel and I purchased the production rights to this amazing set of books a few years ago [before his death last year], and had been looking for the right partners to bring it to fruition,” Hadidia said. “I am thrilled to have our good friends Don and David join us on this journey to re-create the remarkable universe that P.C. and Kristin have created.”

Carmody added: “We have known and worked together with Samuel and Victor on multiple successful projects over the past fifteen years or longer. We are honored that Victor asked us to join with him in realizing the vision of these books, which we know meant so much to Samuel.”

Story is set in a world where “vampyres” coexist openly with humanity but remain feared and widely misunderstood figures. The action follows Zoey Redbird, 16, a human student who has been selected to enroll in the House of Night academy, a finishing school that will prepare her for the shift to un-life as a full vampyre.

The saga struck a vein in the international YA marketplace by reaching No. 1 on the U.S., German, and UK bestseller lists. The central series is now at 16 novels and novellas with 13 million sold in the U.S. and more than 21 million copies sold in 30 languages across 41 countries.

House of Night has staked-out a spot on the New York Times Children’s Series bestseller list for 153 weeks now and may qualify for long-term residency status on the USA Today bestseller list after 424 weeks on the tally (and counting). A spinoff series (House of Night Other World) with Blackstone Publishing will deliver its third novel to stores October 29, with a fourth book set for July 2020. There’s also a Dark Horse Comics tie-in series, a vampyre handbook from St. Martin’s Press, and a tie-in card game from Random House.

P.C. Cast, the elder half of the Cast duo, has high hopes for the project: “Kristin and I are thrilled that Don and David have joined Team Cast! We love their work and believe they will respect the House of Night mythos as they bring it alive in a new medium. We’re excited to see what the future will bring.”

Carmody knows the sector after producing the feature film adaptation of the Cassandra Clare YA novels The Mortal Instruments, before partnering with Cormican for ShadowHunters for Disney’s Freeform.

The Bad-Ass Librarians Of Timbuktu by Joshua Hammer

DEADLINE

 

NYT Bestseller ‘The Bad-Ass Librarians Of Timbuktu’ Gets Movie Adaptation With Argent & ‘The Eagle Huntress’ Director

EXCLUSIVE: New York Times bestseller The Bad-Ass Librarians of Timbuktu is getting a documentary adaptation with director Otto Bell (The Eagle Huntress) and producers Argent Pictures (Chasing Coral), Idil Ibrahim (Fishing Without Nets) and fledgling UK outfit Cove Pictures.

Written by Joshua Hammer, the book, released in April 2017, follows the true story of a group of librarians who undertook a daring cultural evacuation to save ancient texts from Al Qaeda.

The documentary, which due to security concerns has been shot secretly over more than a year in Mali, Africa, focuses on the 300 days of jihadi occupation – from April 2012 to January 2013 – when the infamous Saharan city fell under Al Qaeda’s control. It hones in on a small group of scholars, led by Abdel Kader Haidara, who fearing for the future of their precious manuscripts, transformed themselves into a gang of world-class smugglers. Amid life-and-death stakes, they sneak thousands of books out from under the noses of their jihadi occupiers and transport them to safety across 600 miles of war-torn desert.

The film will include original vignettes shot on location in Timbuktu, Jihadi content filmed by Al Qaeda and other terrorist groups, newsreel and TV archival footage, as well as footage from citizen journalists who filmed during the occupation. It is also due to have a Malian rock and roll soundtrack.

Argent Pictures, the film finance and production shingle run by Jill Ahrens, Ryan Ahrens and Ben Renzo, will finance and produce the film with Cove Pictures’ Dame Heather Rabbatts and Paul Sowerbutts. Argent partners Drew Brees, Tony Parker, Michael Finley and Derrick Brooks will be executive producers. CAA Media Finance reps North American rights.

Argent’s previous doc titles include the Netflix documentary Chasing Coral and They Fight (Fox Sports Films). The company has also backed movies including Hacksaw Ridge and The Birth of a Nation. The firm just finished shooting Good Joe Bell starring Mark Wahlberg and Connie Britton and is now in production on Kung Fury 2.

Argent’s Jill Ahrens said, “The story of the librarians and the hundreds of thousands of books they sought to preserve is a truly heroic act.  We all need more stories like this which will not only inspire audiences around the world but reinforce how critical the preservation of historical identity and heritage is for current and future generations.”

Idil Ibrahim said, “Otto and I are very grateful to Abdel Kader and his network for sharing this astonishing story with us. This band of scholars made history by saving history. Sadly, Mali remains under constant threat. We hope the film will provide a cause for celebration while also shining a light on Africa’s rich, but all-to-often silenced heritage and global intellectual contributions.”

Bell’s well-received Sundance 2016 doc The Eagle Huntress, narrated and executive produced by Daisy Ridley, was picked up by Sony Classics.

Cove Pictures is a new international TV production company based in London, New York and Los Angeles. Led by Rabbatts, the high-end drama, comedy, and factual outfit is a joint venture between Patrick Milling-Smith and Brian Carmody, the co-founders of Smuggler Inc, and Red Arrow Studios.

Hammer was represented on behalf of Sterling Lord Literistic by Hotchkiss Daily and Associates. Bell is repped by CAA.

NOS4A2 by Joe Hill

Deadline

‘NOS4A2’ Renewed For Season 2 By AMC – Comic-Con

AMC’s NOS4A2 is coming back for a second go-round. Ahead of its season one finale, AMC has renewed the supernatural horror series for a 10-episode second season. Cast members Zachary Quinto and Ashley Cummings, showrunner and executive producer Jami O’Brien and executive producer Joe Hill shared news of the renewal during the show’s Comic-Con debut today in San Diego.

The renewal comes amid strong ratings for NOS4A2, which currently ranks as a Top 20 cable drama and the #2 new basic cable drama among adults 25-54 and 18-49 in Nielsen Live +3. Season 2 will go into production this fall for premiere on AMC in 2020.

NOS4A2, based on Joe Hill’s best-selling 2013 novel, centers on Vic McQueen (Cummings), a gifted young woman who discovers she has a supernatural ability to find lost things. This ability puts her on a collision course with Charlie Manx (Quinto), a seductive immortal who feeds off the souls of children, then deposits what remains of them into Christmasland – an icy, twisted Christmas village of Manx’s imagination where every day is Christmas Day and unhappiness is against the law. Vic strives to defeat Manx and rescue his victims – without losing her mind or falling victim to him herself. The series also stars Jahkara Smith, Olafur Darri Olafsson, Virginia Kull and Ebon Moss-Bachrach.

“This otherworldy series makes remarkable work of Joe Hill’s spine-tingling novel, deftly helmed by Jami O’Brien and with captivating performances by Zachary Quinto and Ashley Cummings and the rest of the talented cast,” said David Madden, president of programming, AMC, BBC America, IFC, SundanceTV, and AMC Studios. “NOS4A2 has kept viewers on the edge of their seats since its debut and we are ready to jump right back in to this story for season two.”

“I am so excited for the opportunity to bring the rest of Joe Hill’s amazing novel to television. Joe’s imagination is unparalleled,” said O’Brien. “I love the characters and the world, and our colleagues at AMC have been wonderful partners. I’m grateful to be playing in the NOS4A2 sandbox.”

The season one finale of NOS4A2 airs on Sunday, July 28 on AMC.

NOS4A2 is produced by AMC Studios in association with Tornante Television. The series is executive produced by Joe Hill, Jami O’Brien and Lauren Corrao.

Lock Every Door by Riley Sager

‘Lock Every Door’ Series Based On Novel In Works At Paramount TV & Anonymous Content With ‘True Blood’ Duo

DEADLINE

EXCLUSIVE: Paramount Television has put in development Lock Every Door, a thriller drama based on Riley Sager’s just-released novel, from Anonymous Content, former True Blood executive producer/showrunner Brian Buckner and executive producer Angela Robinson, and Michael Sugar’s Sugar 23. The project is a co-production between Paramount TV and Anonymous Content as part of the companies’ agreement.

Buckner will pen the adaptation and executive produce. Here is a synopsis for the book, published today:

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich, famous, or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan’s oldest, most elite and secretive buildings in the Upper West Side. When a fellow apartment sitter goes missing, Jules begins to dig into the Bartholomew’s mysterious history, discovering sordid secrets hidden within its walls and that her fate may already be doomed like those that came before her.

Buckner and Robinson, who also is set to direct, executive produce along with Sugar and Ashley Zalta for Sugar 23. Sager, David Kuhn, Michelle Brower also executive produce. Margaux Swerdloff will be overseeing the project for Sugar 23.

The project reunites Robinson and Buckner, their first collaboration since True Blood. Buckner worked on all seven seasons of the show, first as co-executive producer on seasons 1-5, rising to executive producer and showrunner for the final two seasons. Robinson joined True Blood in Season 5 as co-executive producer, rising to executive producer in season 7.

Sager is a pseudonym of a former journalist, editor and graphic designer. Now a full-time writer, Sager also is the author of best-selling novel Final Girls. He is repped by Aevitas Creative Management and Hotchkiss Daily & Associates.

Lock Every Door, which has made multiple Summer 2019 Reads lists, was sold to Dutton, a division of Penguin Random House, by Michelle Brower of Aevitas Creative Management.

The Loudest Voice in the Room by Gabriel Sherman

‘The Loudest Voice’ turns the spotlight on Roger Ailes — the man who made President Trump possible

THE LOS ANGELES TIMES

It was 2014 and Gabriel Sherman was in a funk.

The journalist, then at New York magazine, had just published “The Loudest Voice in the Room: How the Brilliant, Bombastic Roger Ailes Built Fox News — and Divided a Nation,” a critical biography of one of the most powerful and polarizing figures in American media.

Drawn from more than 600 interviews, the book detailed how Ailes, whose work as an executive producer on “The Mike Douglas Show” led to a job advising Richard Nixon on his television appearances, turned Fox News Channel into the most-watched cable news network in the country after less than six years on the air.

Ailes did not exactly welcome Sherman’s investigation, declining to sit for an interview, reportedly compiling a 400-page dossier of opposition research and enlisting allies such as Roger Stone in an effort to discredit Sherman. When it was released, Sherman’s portrait of Ailes as an evil genius, which also included multiple on-the-record allegations of sexual harassment dating back to his pre-Fox television career, was met with skepticism and even outright scorn by many in the media.

The process had been “incredibly stressful and emotionally taxing,” Sherman recalled recently. “I felt really defeated.”

So he focused on a new goal: learning to write screenplays. Rising at 5 a.m. each day, he began hammering out a script for what he envisioned as a darkly comic feature inspired by Ailes’ takeover of the Putnam County News and Recorder, a small upstate New York newspaper.

Five years and many dramatic twists later, a vastly different version of that project has come to fruition. Premiering Sunday on Showtime, “The Loudest Voice” is a seven-part limited series starring Russell Crowe as Ailes, Sienna Miller as his devoted wife, Elizabeth, and Naomi Watts as Gretchen Carlson, the anchor whose sexual harassment lawsuit ultimately led to Ailes’ departure from the network in 2016.

While numerous TV shows have crafted fictional story lines inspired by the #MeToo movement, “The Loudest Voice” is the first major scripted project to dramatize one of the real-life cases that helped spark a cultural reckoning. It is also a fact-based work of entertainment that aims to turn the mundane ingredients of TV news production — graphic packages and news tickers — into high drama, and is critical of a network that, in the view of its detractors, has eschewed journalism for ideological spin.

So how do you a tell a compelling story with a strong political perspective without distorting the truth?

“I think we have a very clear point of view about the damage Roger Ailes and Fox News have done to our culture,” Sherman said. “But that’s not why I wanted to write the show. We constantly wanted to draw the viewers in through the humanity, and that is nonpartisan.”

It helped that key creatives on the series had experience with controversial subject matter. Oscar-winning “Spotlight” filmmaker Tom McCarthy co-wrote the pilot episode with Sherman and serves as an executive producer, while “The Handmaid’s Tale” director Kari Skogland helmed three installments, including the premiere. Showrunner Alex Metcalf was a writer-producer on the caustic reality TV satire “UnREAL.”

McCarthy, a self-described “media junkie,” signed on without hesitation. “Gabe's research was so thorough and so deep and in some ways ahead of its time. I don't think people completely believed the book when it came out, just like we wouldn't believe some of the things that maybe our president is doing now.”

Rather than creating a cradle-to-grave biopic, the writers chose to focus on the last two decades of Ailes’ life, beginning with his ouster from CNBC in 1995 and ending with his death in 2017 — the timeline that best captured his influence on the country’s political discourse. Scenes of Ailes promising to “make America great again” during a visit to his depressed hometown of Warren, Ohio, foreshadow the election of Donald Trump, who “comes out of the id of Fox News,” Sherman said.

“We now have a reality TV celebrity in the White House, and that’s the legacy of Roger Ailes.”

As played by Crowe, Ailes is a charismatic but abrasive personality with a streak of wild paranoia and a penchant for inflammatory remarks. Skogland, who is also an executive producer, worked closely with Crowe, “making sure the character had dignity and we weren’t making him a twirly mustache villain,” she said. “It was very important to have a balanced perspective. You present the characters with their flaws and their foibles, and let the audience decided how they relate to that character.”

Early in the series Ailes tells his charges, “People don’t want to be informed, they want to feel informed.” According to Sherman, Ailes believed that “Fox News would fundamentally be a marketing and communications operations and not a newsroom” and understood that people ultimately “want their news to confirm and conform to their worldview.”

“You could call it cynical, you could call it manipulative,” he added, “But it was undeniable that it worked.”

For Sherman, making the leap to screenwriting — where taking dramatic license is not only permissible but necessary — was a major adjustment. He’d employed two fact-checkers and included 100 pages of end notes in his book because he knew it would face intense scrutiny. “It is literally as connected to the record as you can be,” he said.

But in the writers’ room for “The Loudest Voice,” events were compressed and chronologies shuffled for the sake of the narrative. Further complicating the process, some of those events involved Sherman himself, who is a character in the series, played by Fran Kranz.

“In the beginning, we would watch Gabe’s head explode,” Metcalf said. Every embellishment or omission was preceded by painstaking conversations in the writers’ room, which included Sherman’s wife, Jennifer Stahl, a former fact-checker at the New Yorker who vetted Lawrence Wright’s Scientology exposé for the magazine.

“If we could land on a fact, we’d land on a fact; if we couldn’t, we’d talk through the importance of that fact and why we should move it and where we should move it,” Metcalf added.

Sherman pointed to a scene from the second episode, set on 9/11 — a pivotal turning point in the history of Fox News. In the series, Rupert Murdoch (Simon McBurney) spends the night at Ailes’ house because the city is shut down, and the two men have a conversation about how the network will respond to the terrorist attacks. In reality, Sherman explained, the sleepover happened, but not until two years later, during the blackout of 2003.

“We took a real event and we moved it to fit the dramatic frame of our story,” he said. “I was nervous when the process started there was going to be some cliché Hollywood adaptation that was going to cheapen the work. The opposite happened. I think it actually elevated it, because they were able to take the raw material of the journalism and turn it into drama.”

Sherman also provided access to additional sources. Some came in for sit-downs with the writers. Others got cold feet about speaking on the record.

“I'm sure it's what reporters go through all the time when they're trying to follow a story, especially about something that's sensitive and people worry about their careers and legal retaliation,” McCarthy said, “but we felt very grateful for the people who did come forward and talked to us.”

The series was deep in the development process while Ailes was still alive, and McCarthy tried not to think about the legal minefield presented by the project. “We were touching stories people didn’t want us to touch. We just respectfully ignored it and kept doing our work,” he said.

Although Ailes’ death granted the writers some leeway, they had to tread more lightly when it came to virtually every other character in the series — including some figures who are still employed by Fox News, such as host Sean Hannity (played by Patch Darragh) and current chief executive Suzanne Scott (Lucy Owen). “All of these people are living, breathing human beings we need to be responsible to on some level,” Metcalf said.

A Fox News representative said that Showtime did not reach out to fact-check “The Loudest Voice.” Laurie Luhn, a former Fox News booker and one of Ailes’ alleged victims, has filed suit against Showtime over her portrayal in the series. (A Showtime representative declined to comment on ongoing litigation.)

And Hollywood will soon offer a competing take on the Ailes saga: Lionsgate’s as yet-untitled film about Fox News directed by Jay Roach (“Game Change”) and starring Charlize Theron as Megyn Kelly, slated for release later this year. It will reportedly focus more on Kelly’s role in Ailes’ downfall. (Metcalf said he hadn’t read the script for Roach’s film, but noted that “from my point of view, Gretchen pushed over the first domino.”)

Whether there is an appetite for these stories beyond the chattering classes is an open question. But the creators of “The Loudest Voice” believe its message has relevance well outside their coastal bubble — to anyone who consumes TV or social media.

“We tend to take media as just what it is; if it’s on a screen, we believe it,” Metcalf said. “We never take a moment to recognize who is making the media and why.”